Breaking the Cycle

Crime and family tradition in Sophia Luvarà's Word of Honor (2020). A review by Claudio Cinus.
Breaking the Cycle

In Italy, we've learned it well: one way to confront organized crime deeply rooted in a territory is to trust the intelligence and courage of judges who understand their context. By doing so, they can weaken customs and habits that seem carved in stone—habits that make any attempt at social progress look futile. Judge Roberto Di Bella fits squarely in this category. From 2011 to 2019, he presided over the juvenile court in Reggio Calabria.

Confronted daily with terrible crimes committed by young people—most tied to 'Ndrangheta families, most with no choice but to follow the code of conduct that organized crime demands—Di Bella grasped something crucial. Removing these at-risk youth from their families before they committed irreversible acts could work. It could offer an alternative to violence and crime that these young people might never have sought on their own.

To follow the lives of some of the youth Di Bella helped, the young director Sophia Luvarà—Calabrese by birth but an émigré for many years—decided to return home. Separated from their families, these young people are placed in a facility designed to teach them not only the rules of civil coexistence but also to give them genuine cultural education.

It wasn't easy for Luvarà to win the trust of boys raised in a deeply patriarchal world. But her patience paid off. In the documentary Word of Honor (2020), the inner conflict gripping each of these young men becomes unmistakable—beneath the inevitable locker-room bravado and the ease with which they recount their unremarkable pasts. It's a conflict that touches them entirely. Not all will have the strength to truly change.

Di Bella has learned firsthand that a wrong judgment—one wrong decision about detention or release—can cost lives. That's why his conversations with the boys are the film's most vital moments. They are the most powerful tool Word of Honor uses to show how the cycle of crime bound up in family tradition can be broken.

Claudio Cinus

Claudio Cinus

Claudio Cinus has always thought that if his life were a film, it would be directed by Tsai Ming-liang: one of those "boring" Taiwanese films where nothing happens for minutes and minutes... He was…

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